Scythia

An emaciated woman is hunched over the bleached bones of an unknown creature. Her wire thin hair hangs from her dried scalp, back and forth, back and forth, as she rocks herself in an oddly familiar fashion. From time to time, she raises her head towards a motionless sky, as if heeding the unheard call of a distant master. Finding no answer in the featureless plain of grey dust around her, she resumes the cradling motion, her ribs threatening to finally pierce her parchment-like skin. Without warning, as if prompted by a wave of unexpected lust, the woman starts to gnaw at the stump that had once been her left hand, peeling off what little flesh remains on her wrist with small, frantic bites. For a brief moment of joy, the pain almost eclipses the hunger, and a nebulous thought starts to form in the woman’s brain like a gathering storm. Somewhere far away, the wind makes a desperate cry and the memory crumbles to dust in the hollow chamber of the woman’s mind. Startled by the alien sound of the disintegrating memory, the woman makes a run for the distant horizon, where black mountains rise above the land like the jaws of a hungry god in rows without number.

No elemental spirits animate this land. The few winds that survive here were driven mad long ago by the worn, eerily smooth landscape. When the outside became unbearable to dwell on, the winds turned to themselves in regressive patterns of endless recursion. Even the Fire does not dare enter this place, burning only at an infinitesimal fraction of its undying power. The very few bonfires that have made it into the Waste protest in silent retorts at the monolithic skies, wary of the bottomless hunger pervading every atom of air. The Tides of Time, everywhere else an unstoppable force of change, come to die here in a mute discharge, spreading almost to a standstill against the featureless landscape. Only the Soul of Stone survives here, its final form and function revealed to all in a last cosmic joke whispered into the ears of a deaf audience. Having no opposition or arbiter, the earth becomes its own curator in this cursed place, where those crushed by the inevitability of death are forever thrown into a subjective eternity without beginning. Always living. Always dying. And always, always hungering.

If the Mouth of Hell is an open wound on the flesh of the world, the Scythian Wastes are a sick rim of spiritual scar-tissue, unable to heal but unable to die. Whatever is left of the times before the Fall is either dust in the raving winds or trapped in the amber of spiritual absence. Nothing lives here. Nothing dies here. And yet, the grey flatlands of the Scythian range are far from empty.

The Fiction of Distance

Dear sister,

I am writing to you with the hopes that this letter will reach you before Spring is over. The weather here is harsher than in the stories father used to tell us. The cold is cruel and sharp, and it has a malicious intent bordering on human nature. It somehow seems to me that, if I gave it the chance, it would tear the words from this letter and spirit them somewhere far away to keep it company. No wonder, though. When I first set foot in this town it was like stepping into one of those paintings at the Blue Gallery, where everyone seemed to have fled to the furthermost corners of the frame and the town was trying to inhabit itself by keeping a semblance of life.

The snow on the street is riddled with trails of wandering footsteps leading to all kinds of thresholds on the opposite site of which warmth and custom keep life barely awake, like small pockets of familiarity connected by lines of motion and absence. The whole town seems to be enveloped by a mantle of silence, broken only by the occasional treading of a solitary figure walking back home or the muffled toll of the church bell.

            Looking through the window of my temporary quarters, I can’t help but think about our time in the summer house with Philipp. The fixity of this place reminds me somewhat of those long days that seemed to stretch into a benign and placid eternity, when all that mattered was playing hide and seek in the moors and our greatest worry in the world was getting home on time, lest mother became upset. It is curious how, as I grow older, the silliest memories keep springing in my mind like a stubborn yet welcome bed of elderflower, while the darker, less enjoyable moments recede with increasing success to a relegated corner of my mind. With the passing of time, however, the flowers wither and die, and only those dark thoughts remain to keep me company.  Like that time when mother reprimanded you for stripping the skirt of your dress because it kept getting stuck on the bushes. As soon as her hand left her mark on your face, I could see the regret mounting on the corner of her eyes, on her other hand reaching for a daughter that she had already lost. As I ran after you ignoring mother’s pleas, I swore to myself that I would never let anyone hurt you like that again. I would protect my big sister just like she had done with me since the day I came to this world.

            Little did I know that I would be the one to break your heart again. Father was waiting for you when you got back to the house. Looking from behind the curtains, I was afraid that he would hit you, and I was even more afraid that it would be my fault. But the sight of your vanishing smile hurt one thousand times more than the blow that never came. Somehow, in ways that I would only later discover, the look in his eyes told me that he had known all along. The next day, someone came and took Philipp to the city. There were no good byes, no hugs or shared tears, just the raw and exposed finality of a pair of hands that would never hold each other again. I never told you, but I think you always knew. When I saw you and Philipp kissing among the tall grass, the unbearable thought of losing you took a hold of my mind, as I imagined you running away with Philipp, leaving me behind and alone. I guess none of it mattered after all. You left for the city anyway the next winter and we never went back to the summer house.

            I wonder if the trees miss our laughter sometimes, just as much as I miss running along the stream, holding hands with you and Philipp, and the peace of our secret spot near the bent of the river. Do you think the rocks miss the touch of our skin drying in the afternoon sun? Sometimes I wake up with the distinct sensation that it all happened yesterday, but then I feel the weight of the years bending my back and my voice ever so slightly, and I realize that that peace will never return. If only I could have made those days last a little longer…

            I hope you are well, Sabella, and that you remember me with the same fondness my heart feels for you. I don not expect to redeem myself by going out in this hopeless expedition of sorts, but to bring a semblance of peace to you and maybe even myself. I do not know what answers await on the other side of the vale, if any, but I have the feeling that there was always more to the stories that father used to tell us, and that’s what I have set off to discover.

If my calculations are any close to being right, I will be coming back home in one year. Although the vale in itself is not great in dimension, the winding path that goes through the mountain pass turns into something resembling a frost labyrinth during the winter. I must tread carefully if I want to make it back and bring to you whatever I find on the other side, even if it is only my empty hands and a heart full of remorse.

Ever your affectionate brother,

William Barker

Encyclopaedia of Lost Terms: Random Search Query

Unfortunately, the terms “how to prevent world anhilation by giant squidforms- fuck! I told you to bar the fucking door, you moron! Use your fucking brain! They are squids, it can’t be so hard to—-” did not produce any conclusive results. We hope that these randomly retrieved entries may be of assistance.


Wind Heart

1. wiz. A gyrating amalgamation of kinetic energy that resides at the core of every major wind. Under normal circumstances, a wind heart is all but invisible and mostly intangible, but sudden state changes such as fits of anger or dramatic changes in mood may reveal its approximate position. It is said that the wind will obey every wish and command of the one who posses their heart, although this piece of information is more likely to be the result of fairy tales and philosophic lectios.

Similar entries:

To have a wind’s heart. Refers to an individual who has the tendency of hiding their own feelings and emotions. ‘He has a wind’s heart, but he would do anything for his friends.’

To be wind-hearted. Of fickle disposition, prone to mood swings. ‘She is so wind-hearted, I can never tell what mood I’ll find her in.’


Strange Voltage

1. wiz. comp. Residual cosmos that sometimes remains after a failed compelling attempt, known to leak into nearby unattended objects and animate them to life. Several attempts have been made by various arcane practitioners to establish communication with said objects, mostly to no avail. The only recorded instance of anything resembling success in this matter can be traced back to Arch-Animist Phibianos, who had a brief exchange with his teak chair after a compelling attempt gone wrong. The transcript of the event goes as follows: ‘muffled’ “Get your stinky ass off of my face!” Whether this was an actual case of strange voltage or the delayed awakening of the teak tree the chair was made of is still a source of debate.

2. sit. An awkward or uncanny situation. A strange voltage fell on the room after the wizard left.

See also:

Stranger Voltages: A Look into Acosmological Compelling

‘Rise and walk!’ said the Drunk Druid: On Crossreferential Life Patterns and Late Awakenings


Drama Key

1. theat. antiq. Scene or event around which a whole narrative or play revolves and from which all character interaction and development ultimately stems. Said event can be located in the narrative past, present or future, but all actions must be traceable back to it in one way or another. Ancient playwright and part-time worm tamer Fronteima commited himself to this technique to such an extent that he is believed to have learned timeshifting in order to arrange his life according to the principles of the Drama Key. The chronopatterns that resulted from this exercise of temporal elasticity would go on to become the first case of true, albeit momentary, ubiquitiousness known to have manifested itself through a human being.

2. retho. antiq. Moment, concept, event, notion, feeling or emotion that triggers a response in a person or group of people. The concept of the Drama Key was abandoned at the end of the Existential Wars, when the appearance of the Paranoid Profusion rendered the notion effectively useless for manipulation purposes.