Encyclopaedia of Lost Terms: Random Search Query

Unfortunately, the terms “how to prevent world anhilation by giant squidforms- fuck! I told you to bar the fucking door, you moron! Use your fucking brain! They are squids, it can’t be so hard to—-” did not produce any conclusive results. We hope that these randomly retrieved entries may be of assistance.


Wind Heart

1. wiz. A gyrating amalgamation of kinetic energy that resides at the core of every major wind. Under normal circumstances, a wind heart is all but invisible and mostly intangible, but sudden state changes such as fits of anger or dramatic changes in mood may reveal its approximate position. It is said that the wind will obey every wish and command of the one who posses their heart, although this piece of information is more likely to be the result of fairy tales and philosophic lectios.

Similar entries:

To have a wind’s heart. Refers to an individual who has the tendency of hiding their own feelings and emotions. ‘He has a wind’s heart, but he would do anything for his friends.’

To be wind-hearted. Of fickle disposition, prone to mood swings. ‘She is so wind-hearted, I can never tell what mood I’ll find her in.’


Strange Voltage

1. wiz. comp. Residual cosmos that sometimes remains after a failed compelling attempt, known to leak into nearby unattended objects and animate them to life. Several attempts have been made by various arcane practitioners to establish communication with said objects, mostly to no avail. The only recorded instance of anything resembling success in this matter can be traced back to Arch-Animist Phibianos, who had a brief exchange with his teak chair after a compelling attempt gone wrong. The transcript of the event goes as follows: ‘muffled’ “Get your stinky ass off of my face!” Whether this was an actual case of strange voltage or the delayed awakening of the teak tree the chair was made of is still a source of debate.

2. sit. An awkward or uncanny situation. A strange voltage fell on the room after the wizard left.

See also:

Stranger Voltages: A Look into Acosmological Compelling

‘Rise and walk!’ said the Drunk Druid: On Crossreferential Life Patterns and Late Awakenings


Drama Key

1. theat. antiq. Scene or event around which a whole narrative or play revolves and from which all character interaction and development ultimately stems. Said event can be located in the narrative past, present or future, but all actions must be traceable back to it in one way or another. Ancient playwright and part-time worm tamer Fronteima commited himself to this technique to such an extent that he is believed to have learned timeshifting in order to arrange his life according to the principles of the Drama Key. The chronopatterns that resulted from this exercise of temporal elasticity would go on to become the first case of true, albeit momentary, ubiquitiousness known to have manifested itself through a human being.

2. retho. antiq. Moment, concept, event, notion, feeling or emotion that triggers a response in a person or group of people. The concept of the Drama Key was abandoned at the end of the Existential Wars, when the appearance of the Paranoid Profusion rendered the notion effectively useless for manipulation purposes.


 

Advertisements

The World Is Dead

The entirety of the human population has woken up today to a deafening silence. Puzzled by the unusual nature of this stillness, authorities from around the globe have embarked on several diagnosis tasks in an attempt to determine what the hell is going on. Although experts do not seem to agree on the cause of this standstill, all their opinions converge, unanimously and unerringly, on the same point:

The world is dead.

The wind, ashamed perhaps of its now noiseless presence, has retreated into a millennia-long age of contemplation leaving only a bunch of rusted leaves and a paralyzed wind-swept hearth behind.

As a result, most migratory birds have been forced to stop all motion, afraid of their own useless, inconsequential wings. Perched atop the nearest tree, fence, railing, wire or post, they gape in silent frustration in a sort of motherless infant regression. Some have been reported to bite at their own wing joints in a mixture of primal rage and impossible confusion, trying to free themselves from their former evolutionary blessing suddenly turned burden.

Penguins, kiwis and other flightless birds remain unaffected by the world’s demise.

After a massive gathering of unprecedented proportions, all the seas, oceans, lakes, pools, swamps and marshes of the planet have decided, almost unanimously, to turn to stone within the next century. The Petrification Process will take place in stages, the first of which will consist of a series of increasingly violent storms with the goal of shedding all remaining waves and getting rid of the surplus of stored tides that most water masses kept within their depths. However, to show that there is room for dissident voices within the Flowing Realms, an agreement has been signed to preserve the last wave in liquid state somewhere beneath their stony surfaces. All oceans but one have sealed this pact with their own sea foam.

Meanwhile, the Dead Sea grins knowingly from its isolated corner.

Speech, the most basic and ancient for of human interaction, has been temporarily banned in most nations and countries for an unspecified period of time. Since the world’s untimely demise was declared, the population has grown more and more paranoid. The police keep getting emergency calls regarding “the scratching noises outside my window” and “that voice inside my head.” To appease and reassure the masses, governments around the globe are studying the possibility of banning rational thought and keep neuronal processes at the bare minimum necessary for survival.

In the meantime, the deaf are taking the streets with renewed faith in this promising new period for humanity as they intone chants of hope with booming clarity and joyful tears rain down their faces:

“Don’t you see?”

The Jade Tea Ceremony

The thrush observed Goemon Asahina as he stirred his tea for the third time and left the whisk on top of a beautifully patterned piece of silk. The bird approached the man with a curious gaze, its tiny shape a dark silhouette against the evening sun. Goemon took the cup with both hands and, feeling its warmth against his palms, took a long, silent sip and left it in the exact same spot where it had rested during the Tea Ceremony.

“Welcome, friend,” Goemon said to the bird with a smile. The small creature closed the short distance with tiny hops, as if encouraged by the hospitality of the man.

“How are you feeling today, Goemon?” The woman sitting opposite Goemon Asahina said in a calm voice.

The bird flew away.

The man took another sip of his tea and looked at something beyond the wooden door that led to the garden. The teak trees grew upwards in a straight line, projecting needle like shadows on the trimmed grass.

“I have always liked this place. When I was a child I used to walk with my father among the trees and listen to the birds. He used to say that the birds carried the voice of the wind and if you listened carefully enough, you could almost hear the wind speaking. He said that listening to the wind was very important, because the wind is very old and knows everything.”

Kiko eyed the man. His face looked older than it did in her last visit. His skin was  was one shade too pale and his fingernails were cracked and brittle-looking. The shaking in the right hand had receded, but it was still there.

“Your father was a wise man.”

Goemon turned his gaze from the garden and looked at Kiko. The young woman, sitting in seiza, kept her back straight and her hands on her lap, one on top of the other. Her wakizashi, still in its scabbard, lied on the floor to her right as it was customary.

The man sipped his tea again.

“Do you ever listen to the wind, Kiko?”

Three droplets of crystal clear liquid fell on one of the satin flowers embroidered in his kimono. The last lights of the day shone through them for a while before being absorbed by the invisible seams in the fabric.

“Sometimes.”

“Good. Good.”

“Do you know why I am here, Goemon Asahira?”

“I do, Kiko Kuni.”

The woman reached for her wakizashi and handed it to Goemon. The man took it and unsheathed it with his right hand. He considered the polished steel for a moment. There had always been something puzzling about the glint of the ancient blade, something Goemon had never been able to pinpoint.

Kiko stood up.

“Are you ready?”

The man said nothing, but looked at the garden one last time.

Kiko walked past the man, unsheathed her katana and waited.

The wakizashi made a soft ‘thud’ as it entered the man’s flesh and cut his innards. Kiko raised her katana over Goemon Asahira’s head and cut it with a single, deft move.

The body that had once been Goemon Asahira was still on his knees when the two eta and the shujenga that had been waiting outside entered the room.

Kiko dropped her sword and left the room in silence.

Outside, the thrushes kept singing.